Wessel Ebersohn’s eighteenth rule of thriller writing

So romance is a possibility, if a risky one. Bitter romance is perhaps a better option. Then there is raw sex. No moonlight and roses here, just a couple of bodies getting it together. The thing to be careful about with this strategy is that it needs to be an integral part of the story. The objective, after all, is not to write a porno. Make it so much a part of the story that the narrative cannot unfold without it. Then you may have a winner.

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